During the cold and rainy off-season a man arrives in a seaside town and, giving his name only as Pierre, checks into the only hotel which remains open. His arrival arouses curiosity and a degree of suspicion, as people note that he appears to know the area, yet gives no explanation for his presence at that bleak time of year in the dead-end town.
“所以你真的被老女人占有了么”
这大概是鼓舞拍给战后的法国人看到,忧郁的诗意美学
无尽的雨雾细细密密织成宿命之网;《罪与罚》。
宛如内心苦闷的外化 小镇似乎都没有晴过天 雨一直下 人的不打伞都像是一种自损八百的无声反抗 或许这样的天气也是一种黑色电影的转化表现//虽然情节矛盾相对较平淡 情绪却铺得满满当当//有时候是否只需要有个人一起陪着抽根烟心情都会好些 即便那人只是在银幕上
美好的片名,悲伤的故事,"你真的给那老女人占有过",没有选择的选择,而人也无法逃离自己的过去……战争孤儿,一个简单的名字,背后每一个鲜活的生命各自承载着巨大的伤痛,甚至人生轨迹全然改变。
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